Showing posts with label Procol Harum. Show all posts
Showing posts with label Procol Harum. Show all posts

Monday, 13 July 2015

Various Artists "From Clarksdale to Heaven - Remembering John Lee Hooker" 2002***

Born in Mississippi in 1917, John Lee Hooker was around almost as long as the blues itself, devising a new urban blues boogie style, scoring his first hits in the 40's and experiencing a late career rebirth with 1989's "The Healer" that lasted until his death in 2001. These late records were full of guests from the blues and rock world, lining up to play the blues with one of the last original pioneers of the genre. Many of them are also featured here to pay tribute to the master bluesman and help raise money for a charity in his name. The result is entertaining but uneven, as it often happens with such tribute albums. Although most of the songs are J.L.Hooker originals, the end result mostly reflects the players themselves. A bit of the old DNA is in evidence in the opening soulful performance of "I Want to Hug You", sung by his daughter Zakiya backed by Johnnie Johnson & Bobby Murray. The classic "I'm in the Mood" is given a generic hard rock treatment by Jack Bruce and Gary Moore (now both also sadly deceased). Not bad, but I much prefer their slow take on "Serve Me Right to Suffer". Yes, it does sound like any other Gary Moore ballad, albeit a very good one. In any case, neither song sounds anything like the original. "Bad Like Jesse James" (by Vince Converse backed by Leo Lyons and Ric Lee from Ten Years After) comes somewhat closer. "Baby Lee" and "Little Wheel" are even more faithful, played with gusto by 60's veterans Gary Brooker (Procol Harum) and Andy Fairweather-Low (Amen Corner and, more recently, Roger Waters' band). The acoustic "Ground Hog Blues" also sports a quite original feel, not surprisingly since T.S. McPhee (from The Groundhogs) has played with Hooker since the 60's and was one of the first people to introduce him to British audiences. Colosseum's Dick Heckstall-Smith on sax adds a welcome jazz twist. On "I'm Leaving" they rock harder, as they're joined by Humbie Pie guitarist extraordinaire Clem Clempson. Jeff Beck offers his guitar pyrotechnics to the Hooker-like boogie "Hobo Blues" and the traditional gospel "Will The Circle Be Unbroken". Former Rolling Stone Mick Taylor adds workmanlike boogie "This Is Hip" and Peter Green takes on "Crawlin' King Snake", one of Hooker's most famous tunes. Of all the superstar guitarists involved in this project, Green was (in his Fleetwood Mac days) once the greatest. Inspired by religion (and drugs) he took a break in 1970 and never completely returned. His folk-blues guitar playing here is beautiful but very different and inferior to his old style, while his vocals sound like they're from beyond the grave. The remaining two tracks are the most intriguing as they come from half-finished J.L.Hooker projects: Greggs Eggs' blues-soul "The Business" (vocals by Suzanne Sterling) was destined for the next Hooker CD but never recorded by him due to his death and "Red House" features the great man himself backed by Booker T. Jones on organ and Randy California (from Spirit) on guitar. It was supposed to appear on a Jimi Hendrix tribute album and it's typical late-period J.L.Hooker, a nice slow jam with his trademark mumbling vocals. Not an extraordinary find, but a fine epitaph nevertheless.
**** for I Want to Hug You (Zakiya Hooker & Johnnie Johnson), Baby Lee (Gary Brooker & Andy Fairweather-Low), I'm Leaving (T.S. Mcphee, Dick Heckstall-Smith Clem Clempson)Serves Me Right to Suffer (Gary Moore), Red House (John Lee Hooker & Booker T & Randy California)
*** for I'm in the Mood (Jack Bruce & Gary Moore), Bad Like Jesse James (Leo Lyons, Ric Lee, Vince Converse), Will the Circle Be Unbroken (Jeff Beck), Ground Hog Blues (T.S. McPhee & Dick Heckstall-Smith), This Is Hip (Mick Taylor), Little Wheel (Gary Brooker & Andy Fairweather-Low), Crawlin' King Snake (Peter Green), The Business (Greggs Eggs), Hobo Blues (Jeff Beck)

Monday, 1 June 2015

The Pretty Things 'n' Mates "Rockin' the Garage" 1992 ****

The Pretty Things or...The Band That Greatness Eluded. In 1962, guitarist Dick Taylor and bandmates Mick Jagger and Keith Richards joined Brian Jones and Ian Stewart in a band they named after Muddy Waters' song Rolling Stone. Taylor was moved from guitar to bass, as there were too many guitarists. Not satisfied with that arrangement, he set off to create his own group, which he also named after a Chess R&B hit (Bo Diddley's "Pretty Thing") with the goal of becoming London's premiere R&B/R&R band...only to be beaten at this game by his former bandmates. As early as 1966, the Pretty Things recorded a song called "L.S.D." and set off to head England's psychedelic revolution, but were immediately superseded by an upstart band calling themselves Pink Floyd. Then, in 1968 they released the first rock opera/concept album which followed the life of its protagonist S.F. Sorrow, beginning with his birth ("S.F.Sorrow is Born"). But did they get the recognition? No, because in 1969 The Who published their own (erroneously but widely considered as the first) rock opera "Tommy", which followed the life of its protagonist Tommy Walker, beginning from his birth ("Overture/It's A Boy"). Despite the support from Led Zeppelin who signed them on their Swan Song record label, things went downhill after that and I lost track of them sometime in the early 70s. Then I found this cd in the used bin of a Rotterdam record store. Normally I wouldn't have bothered with a late Pretty Things recording (recorded in 1992 but released much later). Nevertheless the title hooked me (I confess I'm a huge garage rock fan) and they do cover all my favourite garage nuggets. Now, garage cover albums are a dime a dozen, but these are no second generation garage rockers -these are the guys who, along with other British Invasion groups, influenced the first generation. Next to Phil May & Dick Taylor of the 'Things, you have members of roots rockers The Inmates and Matthew Fischer of Procol Harum fame plus, for the bonus track, members of the Downliners Sect and The Yardbirds. Is it worth it, you ask? Damn well, it is! Unlike the Stones, these guys still ROCK! They do a ripping version of their own "Midnight To 6 Man" and really rock it out on versions of Sonics, Seeds and Standells oldies. I wonder if they ever considered antagonizing their old rivals by doing a Stones song. Anyway, it's just an album of covers, so it won't change your world, but crank it up and you'll soon be having a party in your living room!
Tracklisting: He's Waitin' (The Sonics)****, Strychnine (The Sonics)****, Pushing Too Hard (The Seeds)***, Kicks (Paul Revere & The Raiders)***, Candy (The Strangeloves)**, Louie Louie (The Kingsmen)**, 96 Tears (? And The Mysterians)***, Let's Talk About Girls (Chocolate Watch Band)**, Sometimes Good Guys Don't Wear White (The Standells)****, I'm A Man (Bo Diddley, bonus track)***, Red River Rock (Johnny & The Hurricanes)***, Midnight To 6 Man (The Pretty Things)****

P.S. They were supposed to visit my town Delft last year as part of a 50 Year Anniversary Tour (yes, the band were actually 51 years old - the old geezers are actually hiding their age). I was looking forward to it, but unfortunately their Dutch tour apparently fell out...