It's not often that a band sounds unlike anyone else, but Morphine were certainly that: a unique trio with no guitars or keyboards, surviving purely on the strength of good songwriting, Mark Sandman's low baritone vocal and resounding 2-string bass, and Dana Colley's ever-present saxophone. The sax is an unusual instrument for alternative rock, but it's used to great effect here, either creating a steamy jazz noir atmosphere or running wild, as with the catchy opener "Honey White" and its fast repetitive riff. "Scratch" is the story of a loser sung to a mid-tempo jazz funk tune, while "Radar" is a driving funky number. Second single "Super Sex" starts way low with a reverberating bassline, but soon sees Sandman wailing like a drunken Jim Morrison reciting beat poetry. "Yes" is closer to soul, "I Had My Chance" is a slow bluesy song and "Gone For Good" a desolate country-folk ballad. "The Jury", "Free Love" and the noisy "Sharks" are closer to poetry recitations while "Whisper" is an atmospheric jazz noir. "All Your Way" sports a fetching melody and closer "Pulled Over The Car" sees Sandman narrating a story while the band falls into a soulful groove. All in all "Yes" is an original and often exciting album. As fate would have it, Morphine wouldn't survive for much longer: After 4 years, Mark Sandman would shockingly and unexpectedly collapse to his death onstage in Italy after suffering a massive heart attack at the age of 46.
***** for Honey White
**** for Scratch, Radar, Whisper, All Your Way, Super Sex, I Had My Chance
*** for Yes, Sharks, Gone for Good, Pulled Over The Car
** for The Jury, Free Love
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