I thought I'd continue with summer sounds, since I'm in that mood. I know that for most people summer is almost over, but I'm preparing for my summer vacation - September, after all, in Greece is late Summer rather than Fall. Last year I presented an album by Barbados' Merrymen, which proved one of my less popular posts.
This time I thought I'd bring out the big guns: see if you can resist the charms of Emil and The Merrymen's international big hit "Big Bamboo". It's the song that put the band on the map, hell it put Barbados on the map. Jamaican and Trinidadian music were already getting known outside the Caribbean, but who knew anything about the music of Barbados? The Merrymen formed in the early 60's, playing an amalgam of calypso and acoustic folk music reminiscent of Harry Belafonte and The Kingston Trio. They recorded their debut Caribbean Treasure Chest in 1962 (1966 according to discogs, but that doesn't sound right) and went on to have a really long career (they were still going strong until at least 2011) even getting to play for British royalty. Their single "Big Bamboo" was a no.1 hit in Holland a few years later, probably because of the big Antillean community. It's a traditional island tune full of delicious sexual innuendos, which the band don't seem to acknowledge at all - at least in this 1962 version, unlike the one that charted in Europe circa '69. It keeps the hilarious lyrics and cheerful melody, while The Merrymen gave it a charming folk reading and added the "working for the yankee dollar" chorus from the famous Caribbean song "Rum And Coca Cola". Next up is the Belafonte ballad "Island In The Sun" and jaunty instrumental "Take Me, Take Me", followed by their take on The Kingston Trio's folk "Wreck Of The John B" (I just realise how spot on I was spotting their influences). Side One closes with a "Calypso medley" of traditional songs (If You See Me Little Brown Girl/Millie Gone To Brazil/You Say You Young/Sly Mongoose). Here we get a glimpse of Emile Straker's specialty, a whistling solo. Side 2 opens with a popular song from Trinidad (Roaring Lion's "Mary Ann"), continues with another instrumental "Caroline" and then with "Island Woman" a calypso ballad with pretty harmonies. They follow it with a happy tune recounting the story of local pirate Sam Lord, and then with Mexican standard "Cu-Cu-Ru-Cu-Cu (Paloma)" and another tinny-sounding instrumental called "King Ja-Ja". On the whole this is a nice collection of Caribbean folk and calypso songs by one of the genre's top bands, however forgotten they may now be. If it has a flaw, it's being a bit too white- (or, if you prefer, European-) sounding for Calypso - compared, say, with the likes of Lord Kitchener or Mighty Sparrow. Pleasant listening in any case. The album hasn't, to my knowledge, been reissued since the 60's, but there are original copies out there as well as some Merrymen compilations on CD. Enjoy the sample below...
This time I thought I'd bring out the big guns: see if you can resist the charms of Emil and The Merrymen's international big hit "Big Bamboo". It's the song that put the band on the map, hell it put Barbados on the map. Jamaican and Trinidadian music were already getting known outside the Caribbean, but who knew anything about the music of Barbados? The Merrymen formed in the early 60's, playing an amalgam of calypso and acoustic folk music reminiscent of Harry Belafonte and The Kingston Trio. They recorded their debut Caribbean Treasure Chest in 1962 (1966 according to discogs, but that doesn't sound right) and went on to have a really long career (they were still going strong until at least 2011) even getting to play for British royalty. Their single "Big Bamboo" was a no.1 hit in Holland a few years later, probably because of the big Antillean community. It's a traditional island tune full of delicious sexual innuendos, which the band don't seem to acknowledge at all - at least in this 1962 version, unlike the one that charted in Europe circa '69. It keeps the hilarious lyrics and cheerful melody, while The Merrymen gave it a charming folk reading and added the "working for the yankee dollar" chorus from the famous Caribbean song "Rum And Coca Cola". Next up is the Belafonte ballad "Island In The Sun" and jaunty instrumental "Take Me, Take Me", followed by their take on The Kingston Trio's folk "Wreck Of The John B" (I just realise how spot on I was spotting their influences). Side One closes with a "Calypso medley" of traditional songs (If You See Me Little Brown Girl/Millie Gone To Brazil/You Say You Young/Sly Mongoose). Here we get a glimpse of Emile Straker's specialty, a whistling solo. Side 2 opens with a popular song from Trinidad (Roaring Lion's "Mary Ann"), continues with another instrumental "Caroline" and then with "Island Woman" a calypso ballad with pretty harmonies. They follow it with a happy tune recounting the story of local pirate Sam Lord, and then with Mexican standard "Cu-Cu-Ru-Cu-Cu (Paloma)" and another tinny-sounding instrumental called "King Ja-Ja". On the whole this is a nice collection of Caribbean folk and calypso songs by one of the genre's top bands, however forgotten they may now be. If it has a flaw, it's being a bit too white- (or, if you prefer, European-) sounding for Calypso - compared, say, with the likes of Lord Kitchener or Mighty Sparrow. Pleasant listening in any case. The album hasn't, to my knowledge, been reissued since the 60's, but there are original copies out there as well as some Merrymen compilations on CD. Enjoy the sample below...
**** for Big Bamboo, Wreck Of The John B, Legend Of Sam Lord
*** for Island In The Sun, Calypso Medley, Mary Ann, Island Woman,
** for Take Me Take Me, Caroline, Cu-Cu-Ru-Cu-Cu, King Ja-Ja
No comments:
Post a Comment