Tuesday, 28 February 2023

Wayne County & The Electric Chairs "Man Enough To Be A Woman" 1978****

This is one of these cases where the music is eclipsed by the personality of the artist themselves. You see Wayne (later known as Jayne) County was famously the first transgender rocker, and that's inevitably more interesting than his band's legacy as proto-punk pioneers. It also creates some confusion e.g. as to which gender pronoun to use. Wayne is now Jayne, but back then he/she still used a male name. She/he performed in drag, but on the cover photo of the band's debut he/she wears men's clothes. Doesn't make the choice of pronouns easy for a writer. Going back at the beginning, there was a Southern queer named Wayne Rogers who arrived in New York some time in the late 60's. Then, in the words of Lou Reed, "Holly...plucked her eyebrows on the way/ shaved her legs/ and then he was a she"; that song was written for Wayne's New York roommate Holly, another drag queen in Andy Warhol's social circle. Despite the Warhol connections, Wayne's initial theatrical and musical attempts were deemed too extreme for New York stages. They'd have to wait until 1976 and the dawn of New York's proto punk scene, when clubs like Max's Kansas City and CBGB opened their stage to all kinds of misfits, including Wayne County and his/her new band The Electric Chairs. Even among punks, their show must have been quite shocking. Usually the rough edges of songs are smoothed over during recording, but in this case even the finished product shocks with its vulgarity. No wonder, then, that their records were never released in the U.S. What we have here is a German compilation taken from two UK sources: the band's eponymous debut LP, and an EP containing some of their edgier material, called Blatantly Offenzive. On the record cover, the singer is pictured in both male and female character. The songs are often celebrations of sexual perversion ("Toilet Love") or hilarious putdowns of ex-lovers ("Bad In Bed"). Opener "(If you don't want to fuck me, baby) Fuck Off" is the band's signature tune: starting off as heavy blues with electric guitar and boogie woogie piano, it culminates in a Ramones-like punk coda, while Wayne heaps insults on the object of his/her "affection", e.g."you think you're hot shit, i heard/ you ain't nothin' but a cold turd", how's that for a rhyme? The band's playing overal is quite heavy, with glam, hard rock, and punk influences. The New York Dolls and The Dictators come to mind. "Night Time" is a raucous 60's garage cover, followed by "Mean Mutha Fucking Man", a satire of the macho rednecks that made Wayne's life miserable when he/she was still living in Georgia. Side One closes with an excellent rocker called "Out Of Control". Side Two is not as lyrically outrageous as what preceded it, but still very similar musically; 50's pastiche "Eddie & Sheena" and the Ramones-y riffs of "Rock & Roll Resurrection" stick out. On purely musical terms, this is as fun a punk'n'roll record as you can find. Beyond that, it's really unique; an album that retains its edge and ability to both shock and entertain, 35 years after its inception.

P.S. Apparently, there's a Canadian release with the exact same title and cover as this one, but completely different content: that one really is the band's second album Storm The Gates Of Heaven in disguise. Then again, there's another LP with the title Blatantly Offenzive; its cover is identical to The Electic Chairs LP, yet the content is exactly the same as the compilation reviewed here. That's probably an indication of Wayne/Jayne's chaotic liscencing procedure, but it could just as well be a prank; confusing people seems to be his/her favorite hobby.

***** for Fuck Off

**** for Night Time, Mean Mutha Fucking Man, Out Of Control, Eddie & Sheena, Rock & Roll Resurrection

*** for Bad In Bed, Toilet Love, Max's Kansas City, On The Crest, Plain Of Nazca, Take It

Wednesday, 22 February 2023

Stepson "Stepson" 1974****

I found this LP at the used section of my my neighborhood record shop. Just by looking at the young street urchins on the cover, I thought "OK, I'll bet this sounds like early Aerosmith" and took the record to the listening station to confirm my thought. As it turned out, I wasn't far off the mark: it's blues-based hard rock played with lots of swagger. It might even qualify as proto-punk, thanks to the energetic performances and irreverent attitude, as in the opener "Rule In The Book" with its tremendous fuzz guitar and nice hammond organ. "Lil' Bit" is bluesier with lots of harmonica, but still keeps the energy level high. "Rude Attitude" is reminiscent of The New York Dolls, at least concerning the vocals. This is followed by a fuzzed-out cover of The Animals' "It's My Life", which was also the label's choice for a lead single. It certainly doesn't show much confidence in the band, making them record a cover and choose that one to represent the LP. A mistake, in my opinion. Their own compositions may not have been spectacularly original or memorable, but at least 3 or 4 of them are catchy enough to warrant a single release. Side One closes with "I Apologize", a bona fide R&B ballad with soulful vocals and groovy Hammond. Side Two opens with a heavy blues reminiscent of Free, called "Suffer". "Back To 'Bama" is a rowdy rocker with lots of boogie woogie piano, "Man, I'm A Fool" is forgettable electric blues, and "Turnpike" is countrified boogie. These last three tracks were rather underwhelming, but Stepson kept the best for last, and so they go out with a blast: "Burnin' Hurt" is a glam metal dynamite powered by a monster fuzz riff and passionate singing. Unfortunately, despite the quality of the musicianship and some really good songs, the LP didn't sell. Lack of promotion and lack of touring were probably the main reasons. By itself, the fact that a really good rock'n'roll LP got lost in the mid 70's isn't surprising - especially in California which at the time was in thrall to the more laid-back sounds of The Eagles and Doobie Brothers. What surprises me is that a bunch of talented guys like these just decided to give up after their first album failed to make them famous. I searched for info on them: before Stepson, some of them were in obscure but critically acclaimed psychedelic bands like Touch and Blue Mountain Eagle. As Stepson, they played for a while in legendary Sunset Strip clubs in LA, and just disbanded soon after the LP came out. Afterwards, they all seem to vanish - with the exception of guitarist Joey Newman making a couple of Christian LP's for a tiny specialty label. It is a pity, because this album could have been the springboard for a great rock'n'roll career, instead of just providing inspiration for another "Hidden Treasure" column in music magazines. My copy is part of a limited 500-piece vinyl edition from 2002, while there's also been a more recent CD reissue, also under the radar. For the time being, it's safe to say that this remains a "cult" record known only to a select few. Listen to the youtube extract below, and you'll be one, too.

**** for Rule In The Book, Lil' Bit, Rude Attitude, Suffer, Burnin' Hurt

*** for It's My Life, I Apologize, Back To 'Bama, Turnpike

** for Man I'm A Fool

Wednesday, 15 February 2023

Yesterday and Today "Yesterday and Today" 1976***

When I saw this used LP at my neighborhood record store it didn't ring any bells: I couldn't remember ever coming accross this album cover before, and the band name was also unfamiliar. So I took it to the store's listening station and gave it a listen, which was satisfactory enough for me to buy the record. I left the shop convinced that I had discovered an obscure 70's band, one of many that disappeared after a promising debut. As you can imagine, I felt rather stupid when I realized that Yesterday And Today were actually Y & T, a band I've known since my teens. I was never a fan, but I had seen their videos on MTV during its classic 80's hair metal period. Well, apparently this is how it all began: with a bunch of friends in California, naming their covers band after a Beatles LP lying around. After some personnel changes, they started writing their own songs, supported stars like Journey and Queen, and finally got a recording contract from London Records. This was their first album, released in 1976. My first impression on hearing it was that these guys sounded a lot like early Van Halen. Both bands had very talented and extremely fast guitarists - in this case, Dave Meniketti, who is also the lead singer, and a pretty decent one too. If there any downsides to this record, they'd have to do with the lyrics and somewhat generic hard rock compositions. Well, even if they aren't always original, the best of them are upbeat and catchy, perfect material to be performed live: "Alcohol" is a humorist boogie that reminded me of Alex Harvey, especially the lead vocal (by drummer Leonard Haze). "Earthshaker" is a turbo-charged rocker with propulsive drumming, and "25 Hours a Day" an ultra-catchy boogie that rightfully remained in the band's setlists for decades. Also interesting are blues ballad "My Heart Plays Too" which gives Meniketti the chance to show his emotional side, and  "Game Playing Woman" which features an experimental psychedelic bridge a la "Whole Lotta Love". The album closes with its arguably most accomplished track, "Beautiful Dreamer". Great song, with a soaring guitar solo. The band would record another LP for London Records, which subsequently dropped them. Undaunted, they'd bounce back in the 80's under the shortened moniker Y & T, and slowly work their way to international success. Their first couple of albums seem to be forgotten - which is a gross injustice, judging from this sample. For my part, this makes for a much better listening than their 80's hits like "Summertime Girls". 

**** for 25 Hours a Day, Game Playing Woman, Earthshaker, Alcohol, Beautiful Dreamer

*** for Animal Woman, My Heart Plays Too, Come on Over, Fast Ladies (Very Slow Gin)

Tuesday, 31 January 2023

Solomon Grundy "Solomon Grundy" 1990***

I  recently read about the death of Van Conner (from pneumonia, aged 55), which made me take out this CD for a listen. I remember finding it at the discount section of a big Athenian record store. I thought "hey that guy plays in the Screaming Trees, this may be good, too", so I bought it. This was right at the start of the whole grunge thing, mind you. The Screaming Trees were still an obscure neo-psychedelic band recording for indie label SST. Being part of the whole Seattle scene, they soon followed their "younger brothers" Nirvana, Pearl Jam et al. to fame, before imploding due to continuous in-fighting - mainly between singer Mark Lannegan and guitarist Gary Lee Conner. Van was the band's bassist, as well as the fat, pimply, and myopic younger brother to the guitarist. I doubt that made him the most loved and respected band member, so it makes sense for him to try and "spread his wings": taking advantage of a temporary break for The Screaming Trees, he gathered a few friends to make a band where he could be the star, taking over vocals and guitar duties. Solomon Grundy had just enough time to record an album of Van's songs and play a few gigs, before The Screaming Trees were offered a contract from one of the major labels sniffin' around Seattle. Van rejoined the Trees for a second act, a more successful but not a happier one, act, and this album was quickly forgotten. Did Solomon Grundy ever really have a chance? Well, my initial reaction on hearing this album was "these songs would sound really great if Lannegan sang them". Conner's singing technique is OK, he just didn't have the pipes. The fact of the matter though, is that he could really write a nice tune; the songs are reminiscent of The Screaming Trees' SST period, with less of their classic rock influences, and more of an indie, proto-grunge sound. The LP was initially to be called Stone Soup and Other Stories. Side One ("Stone Soup") opens with "Out There", combining Dinosaur Jr.-like guitars, Lemonheads-like melody and Beatlesque harmonies. The chorus of "Presence of You" sounds a lot like The Wipers, a good thing. These influences, along with the usual 60's - 70's Screaming Trees heroes (Neil Young, Jimi Hendrix, Jefferson Airplane) are in evidence in the rest of the tracks, too. Side Two ("Other Stories") comes supposedly from another recording session. Certainly Opener "Time Is Not Your Own" has a more lysergic character; it reminds me of some late-60's comps I have, but then abruptly takes a turn towards (cowpunk legends, and SST labelmates) Meat Puppets territory. With the exception of the more straight-ahead "Gone" (which sounds a bit like Offspring), the songs on Side Two are slightly more complex/psychedelic than the grungier Side One. What this album clearly shows is that, at the age of 23,Van Conner had what it takes to be the leader of his own band. The Screaming Trees always shared songwriting credits, so it's impossible to know who wrote what, but Van proves here to be a talented songwriter, his solo compositions more perfectly attuned to the zeitgeist than his band's SST-period retro sound. The Screaming Trees would go on to even better things in the 90's, and dissolve in acrimony around the end of the decade. Mark Lannegan would employ his considerable vocal talents elsewhere with success, while the Conner brothers went back into relative obscurity. After Van's passing, I read that he he used to play with a group called VALIS, after a book by my favorite SF author. I had never heard of them, but now I have to check them out! As for Solomon Grundy, now that's a cool name, too! I take it he wasn't inspired by the old nursery rhyme, rather from the DC Comics villain. In any case, this is a good album that fell through the cracks, if you like alternative guitar rock/grunge you should check it out!

**** for Out There, Presence of YouTime Is Not Your Own, Dawn and the DarkMy Mind

*** for My Prison Is My Freedom,  A Little While, Simplify, GoneOne Day

** for Quiet Sea

Monday, 30 January 2023

The Guardian's 101 Strangest Albums on Spotify

I recently presented a rare record by Assagai called Zimbabwe. Looking for relevant information in the web, I stumbled upon a Guardian piece written for their "101 strangest albums on spotify" series. Curious to see which others are included, I sought the rest of them. I present the list here, directly copy-pasted from the website albumoftheyear.org, including photos and comments. I'm unfamiliar with most of these records, and currently only own 6 of them in LP or CD, but judging from the ones I have heard, these aren't strange/unlistenable but rather strange/interesting. You might want to check some of them out for yourselves. FYI, this series is quiet old, and some of these albums aren't available for streaming any more... 


Horacee Arnold - Tales Of The Exonerated Flea
In the last post of the series, jazz drummer Horacee Arnold’s frenetic breakbeats and his band’s delightful riffs complete more than two years of Spotify-mining
Rita Moss - Talk To Me, Tiger!
Kicking off a new series, Rob Fitzpatrick delves into the darkest corners of Spotify to bring you this cocktail lounge number, with added tiger growls
Jon Appleton - The World Music Theatre of Jon Appleton
This Ivy League professor helped develop the first digital synthesizer and used tapes of the Apollo moon landings on this 1970 track
Larry Norman - Upon This Rock
Norman's spacey music was a million miles away from the saccharin-fuelled puppets of Christian rock
Various Artists - Lappish Joik Songs From Northern Norway
An extraordinary recording of nomadic herders, which uses just a single voice and drum to redefine our concept of melody
Joe McPhee - Nation Time
Think of this as a grinning punk cousin to Miles Davis's brutal and brilliant Bitches Brew
Dave & Toni Arthur - The Lark In The Morning
69
Toni Arthur is best remembered as a former Play School presenter, but she also made bewitchingly beautiful folk music
Chief Kooffreh - Doctor Viagra Hard Stone
Using little more than a single preset drum pattern, Chief Kooffreh's many albums can be considered outsider art. But few are as strange as his Princess Dianna tribute
Various Artists - Sounds of London
A recording of life in London yesterday? Dull. A recording of life in London 50 years ago? Brilliant
Mind Music & Milk - A Mother's Companion for Workplace Pumping
Everything you need to hear in order to successfully express breast milk. It didn't go platinum, oddly enough
Chaino - Eye of the Spectre
Famed for a furious workrate and 'blood-curdling whoops', the energy soars from these 50s recordings
The Three Ring Circus - Groovin' on The Sunshine
In which the Man tries to co-opt psychedelia to give the Kids a more wholesome way to blow their minds
White Dog - Triturate
There's nothing kitschy or arch about White Dog. But there is an awful lot of feedback and noise, if that's your bag
Luie Luie - Touchy
77
It barely scraped out of single-figure sales when released, but this 1974 album rewards close attention
David Hykes And The Harmonic Choir - Hearing solar winds
An experimental film-maker unveils his version of Mongolian throat singing – minds will be blown
The Blackwood Brothers Quartet - Paradise Island
Welcome to paradise: the place where gospel meets Hawaiian music. And greetings to the first group to use a tour bus
Susan Alcorn - Concentration
Susan Alcorn takes the pedal steel guitar and uses it as a platform for wild improvisation far from her country roots
Fraction - Moon Blood
They were, ostensibly, a Christian rock band, but Fraction explored the downtuned darkness of Black Sabbath
Gonjasufi - MU.ZZ.LE
It's very hard to make a truly strange record these days. But not impossible, as Sumach Ecks has proved
Ákos Rózmann - Tolv Stationer (Twelve Stations)
You could never accuse the Hungarian organist at Stockholm's Catholic cathedral of not making full use of his spare time – as this Tibet-inspired album proves
Marian Anderson - Snoopycat: The Adventures of Marian Anderson's Cat Snoopy
She broke down race barriers, attracted huge crowds, won the Presidential Medal of Freedom – and loved her cat
The Goldebriars - The Goldebriars
One of the trillion folk groups entering the world in 1964 had a secret weapon in their ranks – the king of sunshine pop
Francis Bebey - African Electronic Music (1975-1982)
76
To promote African music, Francis Bebey hit on a simply plan: use western technology to make it sound more familiar
Bobb Trimble - Iron Curtain Innocence
Serene psychedelia from the heart of Massachusetts – from a man whose fortunes were revived by cratediggers
Henry Wolff & Nancy Hennings - Tibetan Bells II
New age music didn't always mean washed-out blandness – at its best, it reached into eternity
Droids - Star Peace
Inspired by Star Wars, a young label manager decided that what the world needed was an album set in space
The Brain Police - The Brain Police
It's 1968, and a young psych band are making excitingly fresh music. The problem: so is everyone else
Carl Ruggles & Donald Berman - The Uncovered Ruggles
The modernist composer destroyed many of his own works, but what survives is a passionate, visionary noise
The Imperials - The Lost Album
Even Gospel Music Hall of Famers have those days when the Lord guides them someplace a little weird …
Stan Hubbs - Crystal
A committed stoner retreats to a cabin among the California redwoods and commits to tape a psych-sludge masterpiece
diSEMBOWELMENT - Transcendence Into the Peripheral
It's metal, but the kind of metal that could have been made by Brian Eno if he found his dog had been murdered
Agitation Free - 2nd
History remembers them as one of Krautrock's second-string groups, but Agitation Free deserve to be remembered more kindly
D.R. Hooker - The Truth
It's a miracle any copies of this privately pressed album survived – but be thankful it did, for here is an individual vision
The Shadow Ring - Hold Onto I.D.
There's no milkman on earth who could find something to whistle in the work of the Shadow Ring
Peter Ivers - Terminal Love
Peter Ivers seemed like an outlier for strangeness in the 1970s. Now, though, he sounds oddly contemporary
Les Bantous De La Capitale - Les Rois de la Rumba Africaine, Vol. 1
European crooning, American jazz and the rhythms of Congo came together in Les Bantous De La Capitale
Ganymed - Takes You Higher
Their one Euro-disco smash overshadows the glorious bonkersness of this brilliance Austrian space-dance-cruise-ship hybrid
Kay Gardner - Moon Circles
She made music because she wanted to heal, and in the process created a new kind of composition
Flower Travellin' Band - Satori
A young Japanese guitarist gets entranced by jazz. Then he hears what English guitar bands are doing. The musical result? Extremity
Stu Phillips - Hells Angels On Wheels (Original Motion Picture Soundtrack)
This groovy soundtrack to a 1967 exploitation film about brutal, drunken bikers (one of whom is Jack Nicholson) has more flutes, sitars and soft-pop melodies than you might expect
Chocolate Ty' Aka Taneesha Aquafina - Queen of the City
This remarkably single-minded record about wanting money or the process of getting money is so obscure and one-dimensional that it becomes fascinating
Billy Bao - Urban Disease
So freeform it makes the phrase 'freeform' sound constrictive, this spellbinding band construct a maze of false starts, clicks, overdriven digital screams, furious silences and extreme noise
Paul Horn - Inside
An album that does what it says on the cover: a jazz flautist stood inside the Taj Mahal, and played, not just his instrument but the building itself
Mountain Bus - Sundance
The Man trampled all over Mountain Bus's career – but he couldn't kill the music, dude. No way
Tamam Shud - Goolutionites and the Real People
As the sixties melted deliciously into the seventies, this Australian psychedelic band sounded like they were having a wild time
Bob McFadden & Dor - Songs Our Mummy Taught Us
Tequila-scented numbers, a jazz-noir piece of grave-friendly beat poetry and some tracks just the wrong side of appalling. The Mummy's got it all
The Electric Toilet - In the Hands of Karma
Something raucous was clearly going down wherever the Toilet hung out as, even 43 years later, their country-inflected, choogling blues-rock and acid-fuzz still sounds remarkable
Ruth Welcome - Romantic Zither
America's only superstar of the zither made 18 albums for a major label. File under: feats never to be repeated
Muhal Richard Abrams - 1- Oqa+19
You can't do your chores while you listen to this – not unless you want to accidentally destroy your house
Tiny Parham And His Musicians - Tiny Parham 1928-1930
He was one of the early jazz players, but Tiny Parham got truly interesting when he became a bandleader
Stanley Myers - Histoire D'o 2

Have a listen to an amazing soundtrack – by the writer of the Question Time theme!
 – to a terrible film
Made by 24-year-old Moroccan-born composer Didier Marouani, Just Blue is a prog and classical disco fusion album that redefines bombastic with its hands-in-the-air oddity
Various Artists - Pahu Tahiti! Authentic Drums Of The South Seas
While America basked in the faux-Hawaiian sound of exotica, a Frenchman revealed the true sound of Tahiti
Jacob's Creek - Jacob's Creek
A synapse-squeezing blend of pop-psych, folk, circus music, jazz and space-rock ballads that'll leave you aptly giddy
Various Artists - Discothèque 75 - Artistes Du Peuple
This brilliant compilation - pieced together nearly 40 years ago - is a lost collection of mesmeric French Guinean sounds
Sightings - City of Straw
Dislocating, disturbing and disjointed music your bag? The Brooklyn band's debut is an exhausting triumph in violent beauty
Lonnie Holley - Just Before Music
He's the seventh of 27 children, and was traded for a bottle of whiskey. No surprise Lonnie Holley is an outsider artist
Kim Fowley - Outrageous
Recorded in one single six hour session, proto-punk Fowley sounds on the point of orgasm or vomiting his guts up
Little Cedric & The Haley Singers - Jesus Saves
14-year-old Cedric Hailey and his crew play super-funky boogie-groove jams on their debut album, released back in 1983
Episode Six - Lucky Sunday
Before Ian Gillan and Roger Glover left to join Deep Purple, the group made a sharp, precise album full of mad ideas
Double A - Aight
Dry January? Get your ears around the bizzare wonder of Arthur Avant's Be Drug Free Like Me, Drug Free Fairy Tale, or even Drug Free Military
Cherry People - And Suddenly
We reprise the Washington DC-born brothers Chris and Doug Grimes' gorgeous funky-psyche-soul and pitch-perfect late-60s wannabe-oddball pop
Rockin' Ramrods - She Lied
Take a listen to hip-shaking freak-beat grooves and a thrashy racket that's rougher than a badger's arse, if you like
Axemen - Big Cheap Motel
Listen to Stoopid Symbol Of Woman Hate or Can't Stand Up For 40-Inch Busts - truly terrible noises slung together to make something wonderful
C.O.B. - Moyshe McStiff and the Tartan Lancers of the Sacred Heart
Welcome to a world of sunset-enraptured hippy-folk idealism and LSD-stained experimentalism, as brought to you by a man named Clive
The Neon Philharmonic - The Moth Confesses
We find ourselves in front of another album that really should have done well, something that was destined for greatness. But despite its ridiculousness and beautiful sounds, it didn’t
Miles Davis - Get Up with It
Before falling silent for nearly seven years, Davis released this tremendously odd, funny, furious and funky record
Aubrey Ghent - Can't Nobody Do Me Like Jesus
Incredible title aside, this 1997 album features gravity-free melodiousness and a history of gospel in fifteen seconds
Various Artists - Razor Records: The Punk Singles Collection
This 1982 compilation and a-political mess about features tracks from Brothers Gonad, Peckham’s Splodge and Sniffing Glue favourites Menace
The Space Lady - The Space Lady's Greatest Hits
87
Bathed in echo and a warm blanket of hiss, Suzy Soundz' voice is utterly without guile on her Casio covers and Outsider Art explorations
Har-You Percussion Group - Har-You Percussion Group
Forming after the Harlem Riots of 1964, Har-You make Afro-Cuban sounds with furious and hip-shakingly groovesome rhythms
Barry McGuire - Cosmic Cowboy
Meet Barry McGuire - former washed-up drug casualty turned Hollywood Jesus Rocker - and maker of easy-strolling FM rock and noodle-doodle jazz-funk with lashings of gospel-themed lyrics
Peter Walker - "Second Poem To Karmela" Or Gypsies Are Important
Meet the inhouse trip accompanist of LSD guru Timothy Leary, and his second far-out album
Alio Die - Password for Entheogenic Experience
Meet the Italian ambient master who describes his almost unmoving music as 'medicine'
Pierre Henry - Le Voyage
Based on the Wheel of Life described in the Tibetan Book of The Dead, Henry's album is full of fantastically odd electronic experimentalism
Warp 9 - It's a Beat Wave
Released in 1983, this album from New York crew Warp 9 worked real emotion and intelligence into the world of experimental hip-hop and electro
The Comfortable Chair - The Comfortable Chair
Bernie Schwartz's group - discovered first by Jim Morrison - made an album full of rich, ­textured sunshine-­pop harmonies and perfectly pitched psychedelic dream weaving
Jet - Hanging Wid Da Jetsetterz
69
Listen to the album from the Jamaican born, New York bred musician Jet, and help us decipher why exactly he made such a spectacularly competent album
Assagai - Zimbabwe
A collection of songs made by a long-forgotten group specialising in super-heavyweight funk and astral Afro-jazz, Assagai's aim was to get people dancing, not to chase fame
Lewis Baloue - L'Amour
The man behind this most mysterious of early 80s mood albums turned out to be a Canadian stockbroker. It takes all sorts, eh?
Barbara Dane - FTA! Songs of the GI Resistance
79
It's hard to imagine a record more locked in time than this one,yet Dane's rich voice expresses the anger of the anti-Vietnam movement powerfully
Fifty Foot Hose - Cauldron
If you really want weird, listen to this experimental oddity from one of the most radical bands of the psychedelic era
Birchville Cat Motel - Driving Bruce Russells Volvo
Fancy a ‘groaning wave of ectoplasmic noise’? Then look no further than Campbell Kneale, bringing you ecstatic power from the southern hemisphere
The Split Level - Divided We Stand
Back in 1968, the airwaves were a psychedelic paradise, awash with the sounds of softly-grooving, sitar-scented music. Here’s a lost classic from that year
Juffage - Semicircle
77
Jeff T Smith, aka Juffage, produces sound-art that splices tape-chopping sonic experimentalism with his smart pop voice. It’s an odd, charming album from this multi-instrumentalist who’s due to release a new album following collaborations with Sky Larkin, Wild Beasts, and Vessels
Arthur Prysock - All My Life
In the mid-70s, a jazz singer summoned his inner loverman and came up with a set of lubricious proto-disco
Peter Michael Hamel - Hamel, P.M.: Colours of Time / Bardo
Spawning from the 70s Krautrock scene, this visionary composer with an obsession with Indian classical and all things avant-garde penned a skull-bursting symphony of serene synth minimalism
Valentine [70s] - Valentine
Before they became simply a band that ‘features Sylvester Stallone’s brother’, Valentine were the 70’s drive-time Yacht Rock hopefuls
Alvin Lucier - Extended Voices
Sometimes this column just features odd music. Sometimes – and this is one of those occasions – the music is also quite brilliant
Sopwith Camel - The Miraculous Hump Returns from the Moon
Mixing prog-rock, jazz, showtunes, Krautrock and indian classical music, this San Francisco band’s unloved masterpiece sounds like it was recorded only last week
Somei Satoh - Sun - Moon
Retreat into the minimalist sounds of Japanese composer Satoh. His 1994 creation is full of soothing stillness – and near silence
Leda - Welcome to Joyland
When Tangerine Dream’s Peter Baumann decided to make a cash-in disco record, the result was this odd combo of breathy erotica, high camp and sheer awfulness
Ian William Craig - A Turn of Breath
Featuring white noise and sepulchral vocals, this album by a classically trained opera singer is as wildly experimental as it is fantastically listenable
Johnny Cash - Bitter Tears: Ballads of the American Indian
Released with little fanfare in the early 60s, this ‘Indian country’ protest record arrived amid Cash’s pills and whiskey trip
Alix Dobkin - Living With Lesbians
61
This iconoclastic, political and yet open-hearted fixture on the 1960s Greenwich Village scene produced the first out and proud, by-lesbians-for-lesbians folk album
The Rejects - Quiet Storm
Unable to tour thanks to their affiliations with West Ham’s ICF crew, Cockney Rejects threw themselves into recording back home – one product of which was this 1984 monstrosity/classic
Dorothy Collins & Raymond Scott - At Home With Dorothy and Raymond
Raymond Scott was a composer, engineer, recording studio pioneer, an inventor of electronic instruments whose influence lives on
Gordon Mumma - Gordon Mumma: Electronic Music Of Theater And Public Activity
Gordon Mumma’s pioneering electronic music – which he first began composing in the 1950s – is showcased on this mesmerising and disquieting compilation
The Mystic Moods Orchestra - The Awakening (Cosmic Force)
John Cale meets easy listening by way of hazy cosmic jive in an experimental album of mood music from the masters of the art
Moe Koffman - The Swingin' Shepherd Plays For The Teens
You’d have to be a fantastically introverted stay-at-home teen to embrace this Canadian jazz flautist – but perhaps Moe Koffman’s uncool cash-in LP helped spark the Brit Beat revolution?
Kesarbai Kerkar - Living Music From The Past
In the penultimate post of the series, here’s a lost treasure from Mumbai – as crackly and muffled as it is mellifluous and magic