Showing posts with label Record Store Day. Show all posts
Showing posts with label Record Store Day. Show all posts

Thursday, 16 May 2024

California Record Stores part 1: Los Angeles

I recently spent a few days in L.A. It was my first visit to the U.S. and I soaked it all in, curious to see if the movie cliches would come alive - and they did: the nutjobs preaching in the corners, luxury houses and the people sleeping in their cars, the palm trees and the waves, the stars on the pavements of Hollywood Boulevard, surfers in Malibu and bodybuilders at Venice beach (although the beach does attract all kinds), billboards advertising legal services -apparently if you have an accident in America, you don't call an ambulance, you call a lawyer. What else? Oh yeah, taxi/uber drivers are all foreign and speak broken English, and waitresses in diners will refill your coffee endlessly - of all the legends about America, that was the most unbelievable, yet it's true! On the other hand, there are many more hispanic ladies than blond bimbos, the sun doesn't shine all the time, there are way more tourists than in the movies -especially in Hollywood- and I did not see any evidence of gang activity even in places known from rap mythology like Compton and South Central (nowadays plain South L.A.). Not that I hanged around there much, mind you. Just long enough to switch buses on my way to do touristy things like visit the movie studios, take a guided tour of the city center, or embark on my doomed quest to visit as many record shops as possible; doomed because of the sprawling nature of the city and its lack of center. 
Travelling from one place of the city to another and back may take half a day, so I only got to visit those shops that didn't take me too far out of the way. During my first days in the city, I lodged in West Hollywood, a neighborhood I found quite agreeable. On the first night of the trip, right after dinner, I visited my first American record store. It was past 10pm and restaurants were closing while people gathered in front of the night clubs; yet there is one record store in town that stays up late, and that's The Record Parlour on 6408 Selma Ave, one road down from Hollywood Blvd. I enjoyed the relaxed vibe of the place and appreciated the huge variety - thousands of used LP's of all genres; soul, rock,country, alternative etc. A lot of good LP's for $7,98, some of the covers were a bit worse for wear but mostly in very good condition inside. Also a few random pieces on offer for $1,98, but I'd say the median price was about $15. From here it's just one block to "the world's largest independent record store" Amoeba Music (6200 Hollywood Blvd). This makes the notion of "independent" a bit hazy to me: Amoeba owns two more large shops in San Francisco and Berkeley, how many shops constitute a chain? Anyway, it's true: Amoeba is huge - and I mean that as in "the elephant is a huge animal" which nevertheless is less impressive if you've lived through the Jurassic Period. So, yeah, pretty impressive but still way smaller than the old Virgin Megastore on Oxford Street London, Fame Megastore on Dam Square Amsterdam, or even the multi-storied Metropolis in Athens Greece. There's a huge variety of ultra-cheap used CD (around $2) as well as some rare or new CDs in regular prices. Concerning vinyl, all kinds of music are amply represented: pop rock country soul international etc. New LPs $22-40, used mostly $8-15 but also some offers $1-4. Among the latter one can also find some good titles in below par condition. Furthermore, one can find all kinds of music-related merchandise including DVD's, T-shirts, books, posters etc. In-store performances by famous artists are a regular event; only last week Slash gave there an acoustic performances, while on a memorable occasion Sir Paul McCartney himself played Beatles and solo hits for an audience of lucky shoppers. Just don't go there on Record Store Day; there's a huge queue lining around the block for RSD special items which are also available in smaller record stores without all that fuss. Unless, that is, one wants to be able to brag to their friends that they stood in line for two hours to get a limited edition Fleetwood Mac picture disc. The story just makes it sound like a much more precious item than it really is. Another, much smaller, record shop on Hollywood Boulevard (no. 6727, near the world famous Chinese Theater where all the stars leave their hand/foot prints on cement) is As The Record Turns. Real easy to miss, as it's located in a small yard at the end of a narrow walkway. Despite its small size, it holds a great many records, all original issues. Especially good in R&B, but also rock jazz soundtracks exotica etc. Prices begin at about $30, going up according to collectability.
Supervinyl (900 Sycamore Ave) earned nation-wide fame when Beyoncé took it over in order to launch her latest vinyl release with a record signing. She chose well; the shop is roomy and clean, and carries only selected titles in quality new vinyl as well as some hi fi equipment. Going further away from Hollywood towards Melrose, one finds Revolution Records (7305 Melrose Ave.) featuring mostly pre-owned vinyl (all genres, especially classic rock/ Latin/rock en español). Prices range from the very expensive ($40+) to the very cheap (crates $1-5). Also CD's ($3-7). A bit further down the road (7706), Headline Records is a punk rocker's paradise, a whole shop dedicated to punk music and fashion. There are CDs and LPs ($25-40) from bands from across the world representing a "wide" variety of musical genres: punk rock, ska punk, garage punk, hardcore, and even -surprise- metal! Now, I remember that when I was young there was a TV soap opera called Melrose Place. Never watched it, but I always assumed it was about "glamorous" people. Which is only partially true: Melrose Avenue does have a lot of fashionable shops, but that's mostly street fashion rather than any exclusive designer stuff. A pleasant place overall; on the day I visited (a really sunny one) there were a lot of young girls walking up and down the street with shopping bags, as well as some young boys giving an impromptu rap performance.
Still on Melrose Ave. (7809) one can find one of the worst-reviewed businesses ever: with more 1* reviews on google and yelp than any other I've seen, ladies and gentlemen it's The Record Collector! Now, apparently this is a legendary establishment, but I didn't know it at the time. I was working off a list of "the 46 best record stores in and around L.A." published recently in the L.A. Times, and was in Melrose to check out Headline from that list, then noticed on google maps that there were a couple of other shops in the neighborhood, and decided to visit them. Of course I saw the reviews before I got in, and steeled myself to face any abuse that might be thrown my way. Immediately as I entered the shop, a really old guy at the door asked me what my pleasure was. Now, I didn't necessarily go in to buy records, I was there to map the record store situation for my blog. Google reviews had warned me that I had to know exactly what I was looking for but I nevertheless replied "nothing in particular, 70's rock mostly". The old guy then shouts to his assistant somewhere deep inside the place (imagine a row of corridors packed floor-to-ceiling with vinyl) "Henry, show this gentleman to pop, section 5" or something like that. An even older guy emerges from the back and takes me to a corridor, getting down on his creaky knees (unnecessary, and painful to watch) to show me where the relevant section started. Browsing there quickly became quite uncomfortable: first of all, it was the bottom row, adjacent to the floor. Secondly, the records are so packed that one cannot flip through them. Thirdly, most of the spines are worn and unreadable, so that one has to take the album out to read the title. None of the records have prices on them, but despite worn album covers most of them are relatively clean inside. Under these circumstances, I only spent 10 minutes in the shop before leaving. I bade the owner goodbye and he gave me a nod. That's it! The man was almost courteous, belying everything you ever read about him. Apparently he is the terror of customers, people make "I visited the Record Collector and lived to tell the tale" videos on youtube. To be fair, this establishment is famous for more than its grumpy owner: the older surviving record store in the city (50 years going), sporting a selection of half-a-million albums, apparently unparalleled for jazz, classical, and even old 78 RPM records, and the only one that never succumbed to the digital age: even when vinyl was supposedly dying and CDs accounted for 96% of music sales, the Record Collector faithfully dealt only in vinyl. If only the guy knew I sold off most of my classic LPs in the early 00's to re-buy them on "deluxe" remastered CD, I bet he wouldn't have been so patient with me!
After West Hollywood, we moved to Venice Beach for a few days. Again most of he cliches were right, though not all of them: the sand and the waves were there, as well as the tall palm trees, but the sun only shone intermittently; in fact, the temperature was always a few degrees lower than downtown. But I did enjoy the relaxed and festive atmosphere. Like Hollywood, Venice was also full of touristy shops, but in this case it didn't strike me negatively. What else are you going to do at the beach than eat, drink, shop, buy stuff - and maybe play beach volley or surf? Well, we did everything except for the sporty bit. And the waterfront isn't the only attraction: there's the gorgeous and quiet Venice canal district, as well as the bustle and hustle of Abbot Kinney; my friend swears by the coffee at cafe Intelligentsia and burgers at the Win-dow, and we had great tacos and margharitas at the Tocaya; the tastes were much more sophisticated than the place looked, especially on the inside. For records, one has to take the road towards Santa Monica: Angel City Books and Records (218 Pier Ave, Santa Monica) offers a great selection of used books, and a slightly less impressive one of records (rock/jazz/folk for $5-45, depending on condition and collectability), 7' singles, CDs ($6-7) as well as a few cassettes. A long way from the pier, on 12346 Santa Monica Blvd, you can visit a big shop called Record Surplus.
Legend had it that it had an "attic" full of stuff for $1 or less. It must have dried up, though; nowadays, "the attic" is confined to a corner of the (ground level) shop; everything still costs $1, but that's mostly CDs and very little vinyl. I didn't find anything of interest there, but there was plenty at the rest of the shop: lots of used CDs around $5, used LPs (rock, folk, jazz,classical etc) mostly under $10 (I got some nice country LPs for $2-5), some new items at the usual prices, box sets, books, and singles. It's in the middle of nowhere, but there's a convenient bus stop right in front. Speaking for me, it was worth going a bit out of my way. The last neighborhood we visited in L.A. was downtown where we had a walking tour. Part of that tour was The Last Bookstore, a shop absolutely worth visiting. Housed in a huge 100-year old bank building (there's even a vault!) it's a paradise for the bibliophile as well as a must stop for record collectors: there's a random collection of used LPs (mostly under $10) as well as a bunch of new ones (around $25). A second guided tour I took on LA started from Little Tokyo - I slipped out for a bit to check the record stores in the area: Going underground is one of those shops one delights in: spacious and clean, with a curated collection (used LPs $5-15, new $25-40) centered on alternative, punk and indie, including some indie metal labels. Also CDs, cassettes, and books. Among the Japanese shops, there's one that supposedly carries a lot of Japanese vinyl, Ginza Gifts and Music. That sounded promising, until I realized that it only imported Japanese music (LPs mostly $20-30). Was it pop, folk, rock? Impossible to guess from the covers. I never felt so lost at a record store in my life; out of hundreds of titles, I recognized only a couple. That concludes my firsthand report on L.A. record stores; you will have to ask a real Angelano for a fuller presentation. 
I will add some others that seemed interesting but I didn't have the time to visit: Counterpoint Records & Books (5911 Franklin Ave.,Hollywood Hills) "vinyl and cd's cover all genres but with particular strengths in Classical, Jazz and Rock." Sick City (1381 Sunset Blvd.) "Tucked inside an Echo Park strip mall...specialty is 20th century alternative and 21st century indie artists. Band t-shirts and related merchandise...there’s a small barbershop in the back of the shop...opens at 13:00." Cosmic Vinyl (2149 Sunset Blvd) doubles as a vegan cafe "We carry a wide array of new and used vinyl records of all genres...hi-fi turntables, receivers, speakers etc...T-Shirt’s, Coffee Mugs and much more.Rubycon Records and Tapes (4850 Santa Monica Blvd) "a go-to spot for lovers of synth-pop, industrial and techno" Permanent Records Roadhouse (1906 Cypress Ave.,Cypress Park) is a music label/ record store/ bar/ live music venue. Arroyo Records (5132.1/2 York Blvd., Highland Park) "outstanding selection, fair prices...listening station" "heavy on the classics...hefty bargain bins" Estuario (5403 1/2 N. Figueroa St.,Highland Park) "ambitious music from across Latin America and the global south" Gimmie Gimmie Records (5810 N Figueroa St.) "excellent selection, condition, prices and variety"..."post-punk, hip-hop, classic rock" Mount Analog (2217 Hyperion Ave.,Silver Lake) "hub for techno, goth and experimental LPs" Sonido Del Valle (2108 1st St. Boyle Heights) "cumbia, mariachi, and other hot regional Mexican and Latin genres" Freakbeat Records (13616 Ventura Blvd., Sherman Oaks) "Half the store is filled with new and used vinyl from all musical genres...The rock section is largest, but we're very aggressive about filling the jazz and soul bins too" Atomic Records (3812 W. Magnolia Blvd, Burbank) "A crate digger’s paradise, Atomic deals entirely with used records" High Fidelity (4765 W. Adams Blvd) "classic soul, rock and jazz records" Music Plaza (928 S. Western Ave., Koreatown) "biggest K-Pop shop" Record Recycler (17312  Crenshaw Blvd., Torrance) "the real joy is in finding a cheap, used and rare treasure somewhere way off the path". For more, try the L.A. Times article mentioned earlier. P.S. for visitors from abroad: Prices in California are always exclusive taxes and tips; record store clerks, however helpful, do not expect a tip from you, but the price you'll pay at the counter will be higher than what the sticker denotes - about 8%-10%, depending on the current sales tax rates of each city/county.

Tuesday, 7 January 2020

Red Lorry Yellow Lorry "Talk About The Weather" 1985(orig) 2018(reissue)****

Aah, the 80's...What a great time to be a teenager, moping around dressed in black and looking miserable, listening to songs with lyrics like "Here are the young men, the weight on their shoulders" played loud at dark smoky bars while clutching some alcoholic drink. Some will tell you that the 80's were shit, but we had some great music and a cool lifestyle - with no social media and no lifestyle magazines to dictate how to be cool you never worried about your image outside a tiny circle of friends. During our parents' lifetime the country managed to raise itself above poverty, and we got to enjoy the freedom that followed the liberation from the colonels' dictatorship and relative affluence after entering the E.U. Which made our generation the first of Greece's spoiled youths. With such a bright future seemingly ahead, it's no wonder we found refuge in dark and depressing music like that of The Cure, Siouxsie, Bauhaus, and less renowned groups like Red Lorry Yellow Lorry. 
 
Musically, Red Lorry Yellow Lorry are the perfect embodiment of what we think of as Goth: Lyrics every bit as "life-affirming" as Joy Division, deep booming bass, sharp guitar riffs, and dark, menacing vocals reminiscent of early Sisters Of Mercy. The music is faster and punkier than that of most of their peers, made to be played loud. It isn't devoid of melody but neither does it have the hooks to cross over to a wider audience. So, despite initial good sales, their debut album was destined to become something of a cult classic, only getting re-released twice: a limited CD run and a small numbered vinyl edition for Record Store Day 2018 (500 copies, mine is nr.221). This reissue has the added value of including their first two singles, originally released in 1982/1983. The A-sides ("Beating My Head" and "Take It All", also reviewed here) sound more like early Joy Division. Of the B-sides, "I'm Still Waiting" is an anomaly for R.L.Y.L. with its sax solos and occasionally funky bass while "Happy" also incorporates those elements but is generally more aggressive, reminiscent of Killing Joke. The LP version of "Happy" omits the sax and gives an overall bleaker impression. Generally the original LP deviates from Joy Division-like postpunk towards Goth. The augmented reissue is of normal length, but the original album may be considered too short (8 songs, less than 30 minutes). On the other hand every song is a winner, and given the repetitive relentless rhythm one may argue that it is exactly the right duration. Arguably the centerpiece is single "Hollow Eyes" exhibiting what I've previously described in this blog as music for werewolf discos. "This Today" is a similarly rhythmical piece, while "Feel A Piece" is a fast-paced song with half-recited vocals and "Talk About The Weather" is reminiscent of that other Leeds group, Sisters Of Mercy. It's as gloomy as I imagine Leeds weather must be to produce groups like these. "Sometimes" is a mid-tempo piece evocative or Pornography-era Cure, as is "Strange Dream" - at least until dramatically picking up pace halfway through the song. For those who discovered Goth in the 00s: forget all that poser emo shit, here's the real deal!
***** for Talk About The Weather, Hollow EyesBeating My Head, This Today
**** for Hand On Heart, Feel A Piece, Sometimes, Happy, Happy(Single Version)
*** for I'm Still Waiting, Strange Dream, Take It All

Wednesday, 20 April 2016

Joe Strummer "Nefertiti Rock" 1986-2000(rec.) 2013(comp)****

I've always been a fan of music rather than of musicians, but Joe Strummer is the closest I get to having a rock idol. Today, the notion of the socially conscious rock star is Bono, surrounded by his bodyguards, meeting Obama or IMF boss Christine Lagarde to ask them to forgive third world debts, exchange pleasantries, and get their photos taken together. Strummer was his polar opposite: a simple man of the people, traveling the third world in beat-up buses, making friends and playing music with the locals, passionately supporting his ideology from the street level rather than use his celebrity status. Fittingly, his last concert ever (and only time he shared the stage with Clash alumni Mick Jones since they disbanded) was in a benefit for striking firefighters. This performance (in Acton Hall) as well as live recordings with The Pogues have been released as Record Store Day exclusives (in 2012 and 2014, respectively) but I've missed out on them. Getting this one last week was a small compensation. Although I did buy it on Record Store Day, it's not an official RSD-related release, but a semi-legal Belgian limited release of 500 copies in black vinyl, plus 3x100 in yellow, green and purple. The cover is a simple stencil on brown carton paper, with no details on the origin of the recordings. The back cover just states "Rare and Unreleased Recordings!" but from the tracklisting it's obvious that these are mostly taken from 80's movie soundtracks. Strummer's wilderness period between The Clash and The Mescaleros has not only been musically almost barren but under-curated as well. His only album of the period, 1989's "Earthquake Weather" remains out of print, and was at the time such a disappointing flop that he did not enter a recording studio again for a decade. These tracks were recorded with his backing band Latino Rockabilly War prior to "Earthquake Weather" and show him in search of a new sound, mixing punk with rockabilly and world music. To my ears, they sound better than the album did but, maddeningly, no-one seems to have thought of collecting them before. I'd like to have a properly remastered official release, but for the time being this will do. The sound quality, for once, is great. The LP kicks off with "Ambush At Mystery Rock", a surf/western instrumental form the soundtrack of Alex Cox's punk western Straight to Hell. "Dum Dum Club" comes from the soundtrack of Sid & Nancy, another Cox movie starring Gary Oldman as Sid Vicious. It sounds like a combination of Sandinista-era Clash and Strummer's latter work with The Mescaleros. Three tracks from the 1988 Permanent Record soundtrack close side one: "Baby The Trans" is a mix of rockabilly and worldbeat, "Nefertiti Rock" is a throwback to his pub rock days with The 101ers and "Nothin' Bout Nothin'" a garage rocker with a short hard rock guitar solo - I think it's the first one I've heard in a Strummer-related album. The second side starts off with a great cover of Jimmy Cliff's reggae classic "The Harder They Come". It seems to be the version he recorded with Long Beach Dub Allstars for a 2000 compilation album and thus belongs to a whole different era than the rest of the songs here. "Evil Darling" is a vaguely Moriconne-sque ballad from Straight To Hell and "Love Kills" is a tribute to Sid Vicious from the Sid & Nancy soundtrack. It's a tremendous rocker that wouldn't sound out of place in Clash's Combat Rock album. "Trash City", as performed by Latino Rockabilly War in the Permanent Record soundtrack, is probably Strummer's finest post-Clash moment. The version included here is similar but less powerful. I've read somewhere that this album also includes "home recordings with Joe on all the instruments" and I guess that's the one they meant. The inclusion of the original would warrant the album another star, but collectors who already have the Permanent Record soundtrack may be happier with the demo. I'm not, though it gives me an incentive to buy the official reissue if and when it appears - as if I needed incentive.
***** for Dum Dum Club, Love Kills 
**** for Ambush At Mystery Rock, Baby The Trans, The Harder They Come, Evil Darling, Trash City 
*** for Nefertiti Rock, Nothin' Bout Nothin'

Sunday, 17 April 2016

Record Store Day in Delft

Hooverphonic playing a tent outside Velvet Records in Delft
in Sounds Records, 16/04/16
What do you mean you don't know what day yesterday was? Did you forget one of the greatest holidays of the year? No, it wasn't Christmas or Easter, not Thanksgiving or the 4th of July my American friends, not Sinterklaas my Dutch friends, nor Bayram my Turkish friends... No, it was... Record Store Day!!! Did you get sufficiently worked up? I hope so... But I guess it's a new tradition, so maybe it's not familiar to all of you. It started from the U.S. in 2007 and is now celebrated in record stores internationally. But some of you probably haven't set foot in a record store in the last decade. After all, why should you? When you can watch any song on youtube on your laptop or mobile, or stream it in glorious MP3 quality ? Not to mention that if really need to get it on CD it's only a few clicks away from the Amazon website to your door... Then you see John Cusack in High Fidelity and get all nostalgic "remember neighbourhood record stores?". Well, despite predictions, the independent record stores have not withered and died. The rebirth of the vinyl album is one of the reasons the decline of the record stores has been reversed. Another one is the plain fact of interaction with record store clerks, preferably as knowledgeable but much less obnoxious than Jack Black in the abovementioned movie. Or the music playing from the speakers welcoming you into the shop -always interesting, never your typical muzak. I can browse records for hours and, despite the fact that Amazon sometimes offers better prices and variety, at the shop you'll invariably find something that's unavailable or much more expensive online. Every visit is a pleasant experience and yields something unexpected. Anyway, Record Store Day is a day to support your local record store. 
Oude Delft canal in October
To go out there and buy some records, listen to in-store performances by live bands and DJ's and check out the limited edition record-store day releases made available only on that day and only via the participating record shops. For my taste they're a bit overpriced, but many stores have other promotions as well. For example, Sounds Records in Delft yesterday offered, especially for the day, a 10% discount on all new LP's and certain CD's in a reduced price. I took advantage of that and left with a dozen LP's, although I'm more of a CD buyer for reasons of space and practicality. Somehow vinyl seemed the right choice for the day. Another big bonus of the day are the in-store performances. I saw a few local bands, plus Belgian trip-hoppers Hooverphonic - or at least some musicians that claimed to be Hooverphonic and played their biggest hits though they looked too young for a band with 20 years on its back - not that I'm complaining: they sang well and, above all, the concert was free. So what I kept thinking was that, for a city of barely 100,000 inhabitants, Delft has some great record stores. Well stocked, with well-informed employees and good prices. Maybe then it's time for a special post to present the record stores of my (current) hometown.
Delft City Hall

Velvet Music
But before I do, let me start by saying that the old town of Delft is probably the most beautiful in all of The Netherlands.A booming city since the 14th century thanks to overseas trade by the Dutch East India company and the famous Delft Blue porcelain industry, it peaked (before Amsterdam did) in the 16th century and served as the seat of William the Silent, so-called father of the (Dutch) nation, leader of the Lowlands' insurrection against its Catholic rulers and founder of the Royal House of Oranje. The old city center is one of the best preserved in the country, with its typical narrow Dutch houses and network of canals. Imagine a smaller version of Amsterdam minus the drugs, prostitutes and drunken tourists. Traffic is almost non existent in the center, so you can easily discover it on foot. In the spacious main square you'll see the impressive City Hall and Nieuwe Kerk cathedral (called The New Church despite being founded 600 years ago) which houses the tombs of William the Silent as well as other royals and notables. On the Voldersgracht behind the square, you'll find two of the city's record stores: Velvet and Plexus.
Plexus/t'Platenmanneke Record Store
Velvet Music is part of a record store chain that offers primarily new CD's and DVD's, with a steadily increasing vinyl department (new and second hand). Newly circulated CD's cost €15-18. Most of the older ones cost €10 or less, many special offers 2-for-€15. For used LP's expect to pay €4-15 and new ones €15-25 - always taking into account that these prices are current as of April 2016. In any case one might call them indicative at best. Behind the counter you can see (but not touch) a variety of box sets and other collectors' items for sale. UPDATE 2019: used 7' singles and CD's are now also available. A few meters down the road you'll find Plexus aka t'Platenmanneke. It has the biggest vinyl collection in the area as well as (despite the owner's professed dislike towards the medium) all kinds of CD's, including hard to find older circulations, jazz and a wide selection of world music.  Most (2nd hand) LP's cost between €10-15. CD's (new) €8-18. Further still on the Voldersgracht, you'll find the Vermeer center, a museum dedicated to the local painter famous for, among other works, the girl with a pearl earring.
The frozen canal and leaning Old Church in the winter
Sounds Records
The third big record store is Sounds on the Brabantse Turfmarkt. It's extremely well stocked, both in CD's and vinyl (new and used). The prices are very competitive (new LP's €12-25, used mostly €5-25, some offers €2,5). New CD's starting from €4,99 some 3-for-€25). UPDATE 2019: There's a long-standing sale on specific CD's (around €5, not just the usual "nice price" items) and LP's (€10-15) to make room for new merchandise. On Record Store Day during the last years, discounts on vinyl (10% new, buy-2-get-1-free used, old RSD items on discount)
Every Saturday there's a market right in front of Sounds. You won't find any records there but you will find an astounding variety of cheeses and a stall selling stroopwafels, the typical Dutch thin caramel waffles. Don't miss the opportunity to pack a fresh one, they're delicious. Also, every Saturday from April to October there's an antique street market by the canals in the center. Vinyls and CD's can be found in the various stalls. Lastly, a small vinyl shop recently cropped up close to my home. It lies on a beautiful canal called Buitenwatersloot, close to the train station and just outside the city center. It's called Meneer Van Ulden, probably the name of the owner - it just kills me when Dutch people introduce themselves as mister so-and-so! In my last visit I didn't find much of interest but who's to say that mister Van Ulden has not stumbled into a vinyl gold mine since then? I say better to be thorough and check him out, too...UPDATE 2018: Meneer Van Ulden has moved to Rotterdamseweg. Still not essential, but his collection keeps growing so it's worth a visit despite being out of the city center. UPDATE 2021: Near the train station (Binnenwatersloot 23), you can find a 2nd hand record store that Google identifies as Aan 't Grachtje van Delft. They have a nice (used vinyl only) selection and normal prices. I've visited it a few times and bought some records, but didn't take any photos or notes.